Kazundo Goda | |
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Ghost in the Shell: 2nd GiG character | |
Kazundo Goda |
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First appearance | 2nd GIG, episode 4: Natural Enemy |
Voiced by | Japanese Ken Nishida[1] English John Snyder[1] |
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Allegiance | Cabinet Intelligence Service (Former) Poseidon Induestries American Empire and CIA |
Kazundo Goda (合田 一人 Gōda Kazundo ) is a fictional character in Masamune Shirow's Ghost in the Shell anime series. He is the primary antagonist of Ghost in the Shell: S.A.C. 2nd GIG. In the series, Goda is head of a data manipulation division within the Cabinet Intelligence Service.
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The pronunciation of Goda's first name is difficult to decipher simply from reading its kanji representation as they are usually pronounced as hitori (ひとり?, literally "one person"), as demonstrated by Daisuke Aramaki's initial meeting with Goda.[2][3]
Goda claims that people can usually remember the pronunciation mistake they made after he corrects them once.[4]
While on a mission, Goda was involved in an accident and had to have cybernetic parts installed.[5] He was horribly disfigured, but, curiously, chose not to repair his face with easily available cybernetic parts.[5] During a failed training exercise by the Japanese military for its new helicopters, Goda was dispatched to approach Aramaki with a plan of action to protect the people living in the Refugee Residential District.[2] Goda later becomes a main suspect in the Individual Eleven case by Section 9. He is the head of the Strategic Influence Investigation Commission within Japan's Cabinet Intelligence Service,[6] a position which gives him the power to carry out his plans. In addition, he has a valuable ally in Chief Cabinet Secretary Takakura, who aids Goda's cause, seemingly to further his own political aspirations.
Goda is the mastermind of the whole Individual Eleven incident. He planned to use the tense issue of Japan's numerous postwar refugees in order to create social unbalance and political upheaval. The rogue helicopter incident in Episode Four may itself have been helped along by his maneuvering. His extremely convenient knowledge about everything to do with the situation suggests that he had a hand in its cause. It may even have served as "practice" for the bombing of Dejima with the same Jigabachi attack helicopters, given the incidents' similarities, which is noted by several characters including the Major and the Tachikomas.
Part of Goda's plan is to harness the stand-alone complex social phenomenon in order to produce revolutionaries based on the refugee issue. He made these revolutionaries (the Individual Eleven) by disseminating a fake eleventh essay written by (fictional) writer and philosopher Patrick Sylvester. This essay, itself titled "The Individual Eleven," contained a cyberbrain virus which forced the reader to conform to a scenario of terrorist actions related to the refugee issue (e.g. murdering cyber-rapper and refugee idol Densetsu, attempting to murder Prime Minister Yoko Kayabuki), followed by mutual suicide at the Selecon Tower. The strongest infected members, of which there were twelve, successfully carried out the scenario, each believing himself to be acting independently and without viral influence.
Goda anticipated the emergence of one "hero", by the rules of the social variation of the stand-alone complex would go on to further exacerbate the refugee situation. This hero was Hideo Kuze, who disappeared after deciding not to go through with the suicide and resurfaced as a hero of the refugees. In order to stage a revolution, Kuze rallied the refugees to his side in Dejima by virtue of his will and utter belief in his cause (which had existed before his infection with the virus). Using salami slicing, he obtained enough money to procure weapons-grade plutonium as leverage to secure the independence of Dejima. This process was facilitated by Goda, who performed such actions as cutting all the power in Nagasaki as a distraction so Kuze could escape the naval blockade there. Goda also arranged the circumstances so that Kuze would not actually get any plutonium, leaving the refugees with baseless confidence and the military with an excuse to start an all-out war with Dejima.
Ultimately, Goda wished to escalate the conflict to the point where public dissatisfaction would destroy the government, allowing him to create a new power structure more to his liking. He doesn't seem to have any personal ambition (though several members of Section 9 suspected him of at least wanting credit for the incident) and claims to be only giving the Japanese people what they want "deep down", which he says is a return to Japan's imperial days when the country prospered off the labor of its colonies. He almost succeeded, as the Prime Minister was arrested and a coup was underway as Dejima was being assaulted by the JSDF. Fortunately, Kuze, Motoko, and Section 9 (especially the Tachikomas) turned out to be too unpredictable for Goda's scenario. Thanks to their actions, the Dejima conflict was halted before the full extent of the damage was done.
Seeing that his plans had failed, Goda made an agreement with representatives of the American Empire and planned to seek asylum with them. When Section 9 arrived to arrest him, he exploited a legal loophole; if he submits a written confession of his crimes to the police, he can leave for a country of his choosing. However, Section 9 exploited a loophole of its own. They possessed a note signed by Prime Minister Yoko Kayabuki, which informed them that it would be a major loss for Japan if Goda's skills were to fall in the hands of a foreign nation, empowering them to do anything necessary to prevent it. Goda waved them off, believing that they were bluffing. He is then shot in the head numerous times and killed by Motoko Kusanagi.
Goda's character is much like his face, as he appears polite and well-spoken but seems to have ulterior, warped motives. Manipulative, amoral, and smug, he quickly draws suspicion and hostility from the members of Section 9, particularly Batou. He also acts to make himself appear superior by criticizing others, inflating his ego and bringing him closer to a position of control within society.
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